There we were, behind a makeshift curtain on the stage at one of the sixth form colleges in Halmstad, staring down at a bucket filled with compost. And then we walked out in front of the audience, hand in hand, and I certified that I had in fact seen a naked, Spanish man at the back. That’s all Björn Granath needed me for.
I must have looked the type who just adores being the one to ‘volunteer’ to come up on stage. I wasn’t, but realised I had to, since my friends on either side didn’t really fit the bill for looking at naked men.
It was the mid-1970s and we’d come to see Dario Fo’s Dom har dödat en gitarr men folket har tusen åter,* brought to us by Teater Narren. There were two of them, but I can only recall the one who held my hand, and whenever Björn has popped up on screens since that night, I remember the bucket. And how much of an idiot I felt like.
(I have to point out here that bucket of compost in Swedish ‘could’ sound just like naked Spanish man. So I didn’t lie.)
Björn’s character had to persuade the other character that there was this person in a state of undress at the back. Sounds like typical Dario Fo, if you ask me. And I suppose he did ask me.
I’ve just learned that Björn died earlier this month. Far too early. He was only ten years older than me. But at least from those early beginnings, he went on to pretty close to the top in Swedish drama. And now that I’m no longer standing in front of my grinning companions, I suppose I quite liked my couple of minutes up there.
*’Han matado una guitarra’ in honour of the then recently murdered Víctor Jara.