Tag Archives: Mjellby Konstmuseum

Ascension art

I remembered the rock. It was enormous, and just by artist Rosa Ekelund’s front door. That’s how I knew we’d gone to the ‘wrong’ artist’s house. We had followed the other cars up the hill, and ended up at Kätie Nilsson’s instead. She had the most marvellous view from her windows, which isn’t surprising considering we’d gone some way up from the coast. And she was an interesting artist too. Main problem was too many people and me too close to the paintings (I’m old, so don’t see too well if the distance is wrong). I liked the way she’d displayed some of her smaller pictures. I’ll copy that at home.

Ascension weekend is just coming to a close, and in my part of Sweden Ascension means art for four days. Artists open their studios and people come and look. And buy, if they feel inclined. We don’t often manage to be here at the right time, so it was a bonus to discover we’d picked the right week.

After Kätie we did find Rosa Ekelund, and her enormous rock. I’d like a rock like that, even if it is inconvenient to have one in the middle of your drive. Rosa does colourful women, mostly, and also paints on slate and driftwood. We could easily have bought a slate with thrift on. Or the Madonna and child, on Rosa’s garage wall. Or the large oyster-catchers. If we had enough money and walls, which we don’t.

On to Eva Norrgren at the apple farm, where I had a narrow escape. She had a lovely – and small and not too expensive – picture I liked. Luckily it had already been sold. Nice looking farm building, which was at least as much fun to see as the art.

We finished the day at Helmut Witt’s ceramics workshop. Daughter and I both eyed up the large mugs. We have the ‘smaller’ ones already, but clearly felt thirsty enough to want a larger version.

So we went to Göstas for afternoon tea with a sea view, in the sunshine. It’s not always nice, but this time it was perfect. Good tea and nice cake, and everyone got what they wanted. We wouldn’t have minded taking the furniture home with us, but resisted the urge.

The next day we looked at the art at Särdals Kvarn, even though it wasn’t part of the weekend event. We had more tea, in more nice surroundings. And then we went to see Thomas and Ulla Frisk and their art, which is always a highlight for me. Thomas paints large oils, and we don’t have room for more, even though I’d happily build a wall down the middle of a room just to hang one of his grey, industrial oil paintings. Or maybe a wash basin. I already have the toilet.

Thomas Frisk

Once we’d got this far we found we’d overdosed on the art and the teas. There were plenty more places to go, but we had no energy left for anything. Not even for Mjellby Konstmuseum. Even though it was free entry, and it had a great looking exhibition on.

Another year, another Ascension.

Cool Man

as the annoying young man on the bus, chatting on his mobile phone, said. There is something rather affected when people throw too many foreign phrases around.

We’d just been to see the Man Ray exhibition at Mjellby Konstmuseum for the second time. Back in July I’d simply checked out what was on, before Daughter arrived. I felt Man Ray would be pretty good for her, and was suitably gratified when she embraced the idea with enthusiasm. If she’d been the ‘cool man’ type, then I’m sure that’s what she would have said.

While I found it interesting enough, I did what I always do, and walked through it fairly swiftly, and then rested in the comfortable chairs, looking at the books on Man Ray, before having a look at the latest selection of Halmstadgruppen paintings. (There’s a rather nice geometric affair in blue, with a yellow stripe that I wouldn’t mind having on my wall at home.)

Daughter, on the other hand, took her time and looked at everything. In detail. I was glad. It’s good to know you’re not always dragging Offspring, kicking and screaming, to see ‘worthwhile’ things.

Wasn’t sure she’d want to go again, when we returned and found the exhibition was still on, but she did. Considering we had to get the bus this time, I’d say she really likes this Man Ray chap. Or at least his art.

I waltzed through faster than ever, and then rested more than usual, while leafing through the books. Looked longingly at the blue geometric piece with the yellow stripe.

Once we got to the museum shop, we checked the lot out. A Freud doll rather took our fancy. But what Daughter really, really wanted was the exhibition poster. I asked, and they said this time they hadn’t printed any to sell. But we could have the small flyer, showing the same picture of Man Ray…

Man Ray, Mjellby Konstmuseum

Well thank you. But it’s not the same, is it? And I should have thought that selling the poster would be one of the more obvious things to choose. They made a whole book from the exhibition, so why stop at the poster-printing?

Under the influence

I felt as if I’d become an extra in Fear and Loathing in Las Vegas. When Johnny Depp has taken more drugs again and he sees the weirdest stuff, and it’s all creepy and crawly. That’s what it was like. I even joked about OD-ing with the Resident IT Consultant, despite the two of us being the most strait-laced people in existence.

Radioactive Cats by Sandy Skoglund

We should have known better. We went to Mjellby Konstmuseum on one of the hottest afternoons we’ve had the misfortune to encounter for some time. Daughter reckoned it’d be interesting to see the exhibition on Sandy Skoglund. It was. Interesting. Not nice. Although Daughter liked it, which is what counts, really.

And I overheard other visitors enthusing about the pictures, so I’m clearly in a minority.

We enjoyed seeing some new-to-us paintings by Halmstadgruppen in another part of the museum. I gather they have lent a number of the usual exhibits to somewhere, which meant they had dug out some other paintings to hang. And we liked those.

From Mjellby we went on a wild goose chase which led nowhere much, until we finally got home again, complete with headaches. I went to bed, and emerged later to find the Resident IT Consultant with his headache, asking where he could find aspirin. (Men!) I was so out of it that I gave him two, and then wondered if I’d accidentally overdosed him, and he’d be seeing creepy-crawlies here too. Double checked, and found I hadn’t. Will stay at home from now on.

Lee Miller

The budding photographer had to be educated. The Lee Miller exhibition at Mjellby Konstmuseum seemed a good choice, so we took ourselves off to admire Lee Miller’s famous photos. We’ve been to Mjellby numerous times, but never ‘on foot’, which is sort of interesting seeing as it’s in the middle of fields out in the country. The bus stop isn’t too far away, so we walked along the side of the field.

I got a little annoyed with staff happily trying to charge me double what I should pay to get in. If I can read the sign with ticket prices, then surely so can they?

Mjellby

Lee Miller was interesting, but I should possibly have come equipped with reading glasses to see the photos properly. As usual we arrived just as a guided talk had begun, so as usual we skirted round the large group. They had an interesting looking film on in a side room, but as Daughter pointed out, it lasted 55 minutes, so we only watched for maybe fifteen.

On our way out we came across local artist Thomas Frisk and Mrs Frisk on their way in. It’s always good to know that we go where the professionals go, too. And as I said to Daughter; had we known they were coming we could have hitched a lift. Maybe.

We decided against cups of tea in their very attractive looking café, on the basis that it’s not been good before. Cowardly, I know. Our very first time I was tremendously impressed by asking for a soft drink for Offspring, and being greeted by a blank look of ‘Oh, children. Don’t they drink coffee? Oops, we don’t seem to have anything soft. And no milk.’ To give them their due, someone in the staff sacrificed their own bottle of something fizzy.

Other than special exhibitions Mjellby has a great collection of paintings by Halmstadgruppen. This group of Halmstad artists from mainly the first half of the twentieth century, counts among my more favourite painters, and their work is always worth seeing.