Tag Archives: Luke Treadaway

Who dunnit?

Really?

Almost fifty years on, I didn’t remember either the plot or who the murderer was. For that reason, I quite enjoyed the latest BBC version of Ordeal by Innocence. I feel as long as you don’t expect much, these period Agatha Christie rewrites are fun enough. Just not very ‘real.’

It used to be that screen scripts weren’t very true to the book, but since when do you have to change who the killer is? If you have so much better an idea, why not write your own?

I did wonder whether Bill Nighy was going to be the usual nice guy or if they were going outside their comfort zone and have him bludgeon his wife to death. And son Jack seemed quite unpleasant to begin with.

Considering what the theme for some of the reasons behind this dysfunctional family’s problems were [supposed to be], I’m not surprised they felt the need to reshoot all the scenes where the original actor might have an unpalatable sexual past. Or not.

But I felt the changeover worked well. Yes, you could see how cold it was in January, when it should have been summer, but that was all. The car radio scenes were more inaccurate, but I suppose people are too young to know.

So, yes, I enjoyed it. Even Matthew Goode being a bit bad. He’s a disturbingly good kind of bad.

But the satisfying television ending rings a bit hollow, when you consider how it was meant to be.

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Fortitude

When we last saw Sarah Lund, she and her jumper were on the way to Iceland. Whatever else you might say about Sky’s Fortitude, we now know they have arrived, in some kind of Ice Land. Actually, not the jumper. There appears to be a jumper embargo for Sofie Gråbøl this time round.

As Governor of Fortitude, the strangest fantasy Nordic outpost you could imagine, she is a little disappointing. Though not as disappointing as many of the others. I suppose it’s what you get when Americans jump on a bandwagon that has already left, and mostly also arrived. They write what they admire, or at least what they hope will win them viewers, but which they know very little about. They seem to know the Nordic countries and their peoples much like fans of The Killing and Borgen reckon themselves to be fluent in Danish.

Fortitude

It was beautifully filmed, and they have an interesting collection of actors, ready to pretend – or not – to be Nordics. Some are, and are acting in their non-native English. Most of the others are native English speakers, but not in the slightest Scandinavian. There is sex, and drinking, and saunas. We ‘know’ this is the way of us Scandis. And it is, but perhaps not quite like this.

I almost liked the detective from the Met in London, American though he was. Can’t say I liked any of the other characters. It is possible to like both criminals and stupid people; just not these ones. Michael Gambon’s old and drunken cancer sufferer was perhaps the closest to feeling real, which I put down to Michael being a terrific actor.

When I wasn’t wincing, I found I couldn’t get Virus au Paradis out of my head. I do hope it’s not bird flu, or mammoth flu. With a bit of luck all the gruesomeness will be mere crime and human greed, with a bit of stupidity thrown in.

I don’t know whether I want to watch more of Fortitude. I have no curiosity regarding the what or the why or the who, and because I didn’t like them much, I won’t even want to visit an old friend, even one who is boring. But we’ll see how I feel next week.

(Actually, a few brownie points to Richard Dormer for being more of an obnoxious Danish policeman than most Danes.)