Monthly Archives: February 2018

Coco

El Día de los Muertos, the day of the dead. I’ve known about it for decades, but never really got it. Until now, when we went to see Coco in the cinema. It seemed odd to serve up food in cemeteries for your dead relatives, but I could almost do it myself now.

And the day of going to see Coco was sandwiched between news of a death and all the thinking and talking that goes with something like that, and a quick trip to the cemetery to see a new gravestone and to ‘check out’ how other people decorate their graves. So, very much like Coco.

The lesson of the film is that we must remember our dead, and we should talk about them. Once everyone who’s known them is gone, so are the dead. Reminds me of the old photos I have. No need to hang on to them after I’m gone, because I barely know who’s in them, and no one else will.

There was quite a lot to the film; remember your dead, talk to your old great grandma, respect your elders but don’t lose your own dreams. And a loving dog is always good to keep close.

I liked the strong Latin American feel to the film, complete with Spanish words, songs and the Latino accents. And it was good to have songs already well known, like La Llorona. No dejaré de quererte. I could have sung along, had I not been such a well behaved witch.

Here’s hoping that young viewers understood something of the film, and that it wasn’t all gags about your dog getting its teeth round some elderly [dead] relative’s bones.

Leave of Gabse-sense?

We made you big. Now it’s your turn to honour that, by providing us with NCIS episodes worthy of your fans’ devotion. Instead you are ‘thanking’ us by invariably serving up complete rubbish, with the odd silver nugget every now and then. I put those good moments down to unexpected good writing coupled with appropriate directing.

It just doesn’t happen often enough for a number one show.

Because it could do. It used to. If anyone on NCIS or CBS had time and inclination to revisit the past, you’d see how it ought to be done. You’d see what made you number one.

You made the show. Us, the fans, made you number one. We deserve better. Hell, even you deserve better.

Instead of this gradual weakening, which means you’ll go out with a whimper at some point in the future, you could make us one last terrific season of NCIS and go out with a bang. Something to remember you by. Something that would make some of us sad, and make us miss you.

Get it right!

As I understand it, the actors get paid well enough, although I suspect the male actors might be paid more. Mark Harmon is certainly rumoured to make a minor fortune for every episode. I almost wrote ‘earn’ but realised that he doesn’t earn anything the way he’s forgotten to act, or even caring about the show or the fans.

This week’s dance around Fornell? Embarrassing.

McGee has let himself go completely. It’s not the twins; it’s something much deeper that’s wrong. The beard, obviously, but there’s more to it. Or less, depending on how you see it.

Bishop is mostly the way she was, but comes across as quite mature by comparison. Torres is a treasure. He’s cool in way DiNozzo never was (although I recognise that Michael Weatherly was what kept people together), and kind at the same time.

Palmer is good, managing to be a cross between his old self and Ducky. I’m a bit disappointed now with Sloan, who seems to forget how an agent behaves and babbles about things all over the place, getting emotional. But that will be the script writers, not the actor.

Finally Abby. She’s not quite herself, but based on the rift between Pauley Perrette and Mark Harmon, that’s hardly surprising. I can’t work out how Abby’s going to go, but that almost doesn’t matter now. If the show is to continue (please no!) there needs to be a forensic scientist, but how they could make that work, I’ve no idea.

Back to the money. NCIS must make a fair bit of money, being number one and all that, and managing to pay its actors handsomely. I can’t help but feel that this means they have responsibilities too, to the viewers, and to their advertisers. It’s time you all worked for that money. It’s clearly too late for mature behaviour on the set, but I feel the money should pay for that as well.

So, you can’t – or won’t – have Abby and Gibbs on at the same time. If one or both of them is dangerous and a risk to others, the police should be told. If there is ‘merely’ a quarrel of some kind, a major CBS show like NCIS should be strong enough to make two actors work together like the adults they supposedly are.

Fixing it so they are never together is ruining not just season 15, but it really does take pleasure away from past seasons. Somehow you can’t un-see what is going on now. Watching season 14 backwards, you discover that the rift was already there. The last two episodes are almost totally free from overlap between the two, and the episodes before them have a really weird feel to them.

It’s too late to put all this right. I wish you could, because we really do deserve better. The odd, almost OK episode would almost make up for it, were it not for the Gabby split.