The new Danish crime drama on BBC4 was really very, erm, Danish. Nothing wrong or surprising about that, but it’s amusing how Danish you can get. The Killing (Forbrydelsen) is from 2007, and it appears to be a direct descendant of Unit 1 (Rejseholdet) in style and feel. I found the two female detectives even speak the same way. There is something very Danish about the unhesitant tone; they know exactly what they are about and what’s right.
Hardly surprising that Sarah Lund’s new colleague asks in a resigned voice if she has an opinion on what underwear he should use. He can’t smoke, he mustn’t drive too fast, and he should be much politer.
And they do not like Swedes. That much is clear. But we know this already, which is why I so often speak English in Denmark. Like Ingrid Dahl in Rejseholdet Sarah has a Swedish boyfriend. Ingrid’s didn’t last long, and this one doesn’t look too promising either. The scriptwriter (Søren Sveistrup) got in a Norwegian insult, too, by suggesting it’s impossible to tell Norwegians and Swedes apart.
The first two episodes on Saturday made for compelling viewing. I’m glad we get two episodes at a time, or we’d be at it for far too long. It’s still going to take us a while getting through all twenty episodes.
Sarah Lund is leaving the Copenhagen police force to move to Sweden to be with the dreadful boyfriend, although her son is not keen at all. A teenage girl is missing and then found dead, and Sarah is coerced into staying and taking the case, having to cooperate with her successor, Meyer.
It’s clearly going to be a complicated tale between the police, the (crooked?) politicians in the upcoming election, and the poor girls parents.
Scary at times, and so very Danish. But not too dark. The crime is dark, but I didn’t feel the characters were leading dull or dismal lives. Unless poor Meyer will feel hemmed in by his bossy predecessor with her wonderful wooly jumpers.